Although he later would become one of the most popular and successful blues artists of his time, the blind street musician led a rough and lonely life in his early years, wandering as widely as a hobo, despite his blindness, and constantly traveling to ever-new street corners to sing to strangers. Lord, it’s one kind favor I’ll ask of you. There are still “one million people who didn’t have nowhere to go,” just as Smith sang. Nobody Knows You When You're Down and Out Words & Music by Jimmy Cox (1923) Recorded by Eric Clapton, 1992 C E A A7 A Once I lived the life of a millionaire, Dm A Dm A7 Dm Spent all my money, just did not care, F F7 C C/B A Took all my friends out for a mighty good time, D7 G7 Bought bootleg whisky, champagne and wine. Everybody gets in hard luck sometime.” “One Dime Blues” was written in 1927 as America was about to enter the Depression. Just after singing these poignant lyrics in that mournful voice, James begins humming hypnotically in an eerie wordless moan that sounds comforting, like a consolation to the people caught on the killing floor. ( Log Out / “And you say you had money, you better be sure. An account of John Lennon’s darkest days during his Lost Weekend, Nobody Loves You (When You’re Down And Out) was the penultimate song on his 1974 album Walls And Bridges. Get information about planned encampment sweeps in Oakland, Nobody Knows You When You’re Down and Out. The Myth of the American Dream, D.L. Except, that is, in the black community, where far-seeing and acutely aware blues singers like Willie “Long Time” Smith, Big Mama Thornton, Floyd Jones, John Brim and so many others kept trying to warn about the perils of poverty all through the 1940s and 1950s while most of our society was sleeping the self-satisfied sleep of affluence. Its lyric, told from the point of view of a one-time millionaire during the Prohibition era, reflects on the fleeting nature of material wealth and the friendships that come and go with it. Javascript is required to view shouts on this page. "Nobody Knows You When You're Down and Out" is a blues standard, written by Jimmy Cox in 1923. Mahalia Jackson said, “Bessie was my favorite, but I never let people know I listened to her. It’s interesting that in a blues culture that exalts “the rambling man,” the rambling woman ends up preferring a home and family. At the time when James composed “Hard Times Killing Floor Blues,” he was not yet a minister, yet his awareness of the life-and-death issues at stake as the nation plunged into the Depression led him to compose one of the most sensitively observed verses ever written about the oppressive sense of being locked out of heaven itself. Help stop these hard, hard times.” She is even more outspoken and class-conscious in describing the vast economic gap between the rich man’s wife in her mansion, and the hunger and desperation that women in poor households were facing. Few people in mainstream white society were thinking very deeply about homelessness in the 1940s and 1950s, except for a handful of prophetic souls like Dorothy Day, the founder of the Catholic Worker, and Woody Guthrie, whose “I Ain’t Got No Home,” recorded in 1940, belongs in any discussion of songs about homelessness. The next verse is unforgettable, two short, stark lines that express the singer’s nearly bottomless suffering over the loss of her home and her parents. It’s hard to imagine a more iconoclastic break with blues mythology than that. It’s a stark wintry setting, and someone is stranded in the snow. The first blues vocalists that achieved widespread popularity were later referred to as the “classic blues singers.” Singers such as Ma Rainey, Ida Cox, Sippie Wallace, Alberta Hunter and Bessie Smith became the first generation of blues artists in the early 1920s.
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